Denmark has announced its Oscar contender for the Best International Feature Film category, championing Magnus von Horn’s evocative work, The Girl With the Needle. Set against the backdrop of post-World War I Copenhagen, this poignant film explores the lives of individuals grappling with the aftermath of conflict. By drawing inspiration from one of Denmark’s most infamous murder cases, von Horn constructs a rich narrative that transcends mere historical recounting, instead morphing into a poetic exploration of the human condition.
At the heart of this narrative lies Karoline, portrayed by Vic Carmen Sonne—an earnest young woman navigating the oppressive circumstances of early 20th-century society. Unemployed, abandoned, and pregnant, she embodies the struggles faced by many in her position during that era. The introduction of Dagmar, brilliantly played by Trine Dyrholm, adds layers to the story as she helms an underground adoption agency. Karoline’s desperate circumstances lead her to become a wet-nurse, a decision that establishes a profound connection between the two women. However, as is common in compelling narratives, this connection is threatened when Karoline uncovers jaw-dropping truths about her situation, turning her world upside down.
The Girl With the Needle intricately weaves elements of a dark fairytale, capturing the hopelessness yet resilience of those relegated to the fringes of society. This mixture of a somber reality with surreal undertones creates a unique viewing experience that not only entertains but provokes deeper contemplation about societal structures and the plight of women in tumultuous times. Von Horn, alongside co-writer Line Langebek, imparts a narrative that is as haunting as it is beautifully crafted.
The film’s reception has been overwhelmingly positive, drawing commendation from critics who have dubbed it “an unequivocal and beguiling triumph.” Its screening at prestigious locations like the Cannes Film Festival has bolstered its international profile, indicating that it could be a strong contender in the Oscar race. Jacob Neiiendam, Danish Film Institute’s Head of International, emphasized the film’s potential, highlighting the committee’s unanimous decision in favor of The Girl With the Needle, asserting its strength as Denmark’s representation for the Academy Awards.
The Girl With the Needle is not just another entry in Danish cinema; it’s a significant piece that aligns with the legacy of previous Oscar-winning films from the country, such as Thomas Vinterberg’s Another Round and Susanne Bier’s In a Better World. As von Horn’s first foray into Danish-language filmmaking, the film marks a pivotal moment in his career, promising to capture the hearts of audiences beyond Danish borders.
The Girl With the Needle encapsulates not only a historical reflection on Denmark’s past but a modern take on themes of survival, motherhood, and the harsh realities faced by women. As it prepares for its December theatrical release, there is palpable excitement for its Oscar potential, along with a hope that it will spark meaningful conversations about the timeless issues it raises.
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